[et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row _builder_version=”4.21.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_gallery gallery_ids=”2314,2148″ fullwidth=”on” admin_label=”Gallery” _builder_version=”4.21.0″ global_colors_info=”{}”][\/et_pb_gallery][et_pb_text admin_label=”Text” _builder_version=”4.21.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]<\/p>\n
Xilofagia \u2013 xilografia consiste in una serie di stampe xilografiche in cui ho utilizzato come matrici delle tavole di legno mangiate dai tarli.
Durante il classico procedimento di inchiostratura della matrice con il rullo, i fori circolari lasciati dai tarli sono rimasti liberi dall\u2019 inchiostro, restituendo in stampa il bianco del foglio e una visione molto simile ad un cielo stellato.
Il vuoto lasciato dai tarli determina la possibilit\u00e0 di uno spazio infinito, in cui l\u2019universo diventa qualcosa di molto vicino a noi.<\/p>\n
Xilofagia \u2013 Xilografia has been realized through the classic process of xylographic printing using as a matrix a wooden board eaten by woodworms.<\/span> \u00a0<\/span><\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.21.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_gallery gallery_ids=”2151,2328,2320,2327,2322,2325,2324,2329,2323,1164,698,2703,766,1950,2676″ fullwidth=”on” admin_label=”Gallery” _builder_version=”4.21.0″ global_colors_info=”{}”][\/et_pb_gallery][et_pb_text admin_label=”Text” _builder_version=”4.21.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]<\/p>\n In “Sturm Und Drang”, ho raccolto alcuni taglieri da cucina appartenenti a persone diverse (mia nonna, il macellaio, alcuni amici e conoscenti diversi) che poi ho inchiostrato e stampato con il torchio calcografico: With the work Sturm und Drang,\u00a0 I have collected several kitchen cutting boards (11 until now) from different people (my granmother, butcher, friends etc), which I then printed with the printing press: the printing ink has entered in the cracks left by the various domestic tools, (knives or varous kind of blades) of\u00a0 reminiscent of years of lunches, dinners, moments of sharing. The results are completely different images, depending on the story of each cutting board that becomes a witness matrixto domestic life and small daily stories. The title \u201cSturm und Drang\u201d evokes the stormy images appearing in many of these prints, but also the continuous movements of hands and knives on the surface of the cutting boards, leaving continuous traces, eroding the surface.<\/span> <\/p>\n [\/et_pb_text][et_pb_gallery gallery_ids=”2880,2881,2882″ fullwidth=”on” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_gallery][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.21.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_gallery gallery_ids=”2301,2300,2305,2310,2304,2302,2303,2309,2308,2307,2306,2299,2152,2451,2446″ fullwidth=”on” admin_label=”Gallery” _builder_version=”4.21.0″ global_colors_info=”{}”][\/et_pb_gallery][et_pb_text admin_label=”Text” _builder_version=”4.21.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]<\/p>\n 12 nudi femminili tratti dai calendari delle officine meccaniche sono stati incisi su lastre di zinco. Queste matrici, invece di essere inchiostrate con normale inchiostro da stampa, sono state consegnate ad alcuni meccanici che hanno passato le mani sporche di grasso per motori sulla superficie della lastra, poi restituita all’artista e quindi <\/span>stampata. Il risultato sono 12 stampe\u00a0 diverse tra loro<\/p>\n <\/span>12 female nudes taken from the calendars in the mechanical workshops have been engraved on zinc plates. These matrices, instead of being inked with normal printing ink, were given to some mechanics who passed their hands dirty with motor grease on the surface of the plate, which was then returned to the artist and then<\/span> [\/et_pb_text][et_pb_gallery gallery_ids=”2665″ fullwidth=”on” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Forchetta e cucchiaio in argento si sono trasformati in strumenti da disegno. Il segno grafico che questi strumenti quotidiani lasciano sulla carta \u00e8 caratterizzato da molteplici linee che si incrociano, restituendo un’immagine sfocata. [\/et_pb_text][et_pb_gallery gallery_ids=”1575″ fullwidth=”on” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_gallery][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Le d\u00e9jeuner sur l’Herbe, 2016 [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" XILOFAGIA – XILOGRAFIA, 2018stampe xilografiche:\u00a0tavola\u00a0di legno tarlato, inchiostrata e stampata su cartawoodcut: found wooden board eaten \/ holed by woodworms, inked and printed on paperdimensione della matrice |\u00a0matrix size: 880 x 645 mmdimensione della carta |\u00a0paper size: 100 x 70 cmincorniciato |\u00a0framed:\u00a0110 x 80 cmdue matrici |\u00a0two matrices, copia unica |\u00a0uniqueVeduta della mostra | exhibition […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1920","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.eugeniavanni.it\/index.php?rest_route=\/wp\/v2\/pages\/1920","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.eugeniavanni.it\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.eugeniavanni.it\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.eugeniavanni.it\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.eugeniavanni.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1920"}],"version-history":[{"count":63,"href":"https:\/\/www.eugeniavanni.it\/index.php?rest_route=\/wp\/v2\/pages\/1920\/revisions"}],"predecessor-version":[{"id":2901,"href":"https:\/\/www.eugeniavanni.it\/index.php?rest_route=\/wp\/v2\/pages\/1920\/revisions\/2901"}],"wp:attachment":[{"href":"https:\/\/www.eugeniavanni.it\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
A printed work that reflects and portrays the technique itself, whose voids, the effect of the voracity of the xylophagous insect and not of the artist, punctuate<\/span>
the inked board and passed to the press, making the overall view of the print in all aspects similar to a starry sky.
The void left by woodworms give the possibility of an infinite space, in which, the universe becomes something very close to us.<\/span><\/h6>\nSTURM UND DRANG, 2011 – 2012
taglieri da cucina inchiostrati e stampati su carta\u00a0|\u00a0<\/i>cutting-boards inked and printed on paper
<\/i>90×90 cm incorniciati | \u00a0framed<\/p>\n
l\u2019inchiostro da stampa \u00e8 entrato nei solchi lasciati dai coltelli durante l\u2019utilizzo quotidiano del tagliere. L\u2019immagine restituita con la stampa \u00e8 la testimonianza di anni di momenti di convivialit\u00e0 domestica, come pranzi e cene avvenuti all\u2019interno delle abitazioni da cui provengono i taglieri.
\u201c […] E\u2019 la restituzione di un\u2019aura mai avvertita prima d\u2019ora, uno sguardo a ritroso oltre il buio monotono dei giorni, indovinando una loro radianza minima e insondata, come attraverso una geologia della pratica quotidiana, una tettonica dell\u2019umilt\u00e0 domestica[…] I taglieri diventano cos\u00ec, metonimia dell\u2019esitenza, testimonianza di un inesplorato giacere dentro la storia minuscola delle generazioni.\u201d Alberto Mugnaini, \u201cChiari di mezzaluna\u201d, estratto dal Catalogo della mostra \u201cSturm Und Drang\u201d Museo Marino Marini, Firenze., 2012<\/p>\n
\u201c(\u2026) The cutting boards thus become a metonymy of existence, evidence of an unexplored lying within <\/span>the tiny history of generations (\u2026) (Alberto Mugnaini, \u201cSturm Und Drang\u201d, catalogue, Museo Marino Marini <\/span>Florence, The Ori publishing, Prato).<\/span><\/h6>\n<\/h6>\n
VOLANO VIA LE COSE VUOTE, 2024
incisione su sottovaso di plastica | engraving on plastic soucer<\/span>
45,5×21,5×3,5 cm
foto Carlo Vigni<\/h6>\nCALENDARIO, 2014
stampe: incisioni, puntasecca \/ <\/i>prints: engravings, drypoint
matrici\u00a0inchiostrate dalle mani sporche di grasso del mio meccanico \/ plates inked by my mechanic\u2019s
greasy hands.
<\/i>12 donne diverse \/ <\/i>12 different women
<\/i>cm 42 x 32 ciascuna, incorniciate \/ each, framed<\/p>\n
printed.<\/span>
The result is 12 prints that are\u00a0 different from each other.<\/span><\/span><\/h6>\nAUTORITRATTO CON POSATE D’ARGENTO, 2023
disegno realizzato con posate d’argento (forchetta, coltello e cucchiaio) su carta preparata | Silver cutlery drawing (fork, knife, spoon) on primed paper
<\/span>50 x 35 cm<\/p>\n
<\/span>\u00a0Fork and spoon in silver become drawing tools. The graphic sign that these everyday tools leave on paper is characterized by multiple crossing lines, giving back a blurry image.<\/span><\/h6>\n
disegno con posate d’argento su carta preparata; stampa ai sali d’argento
drawing with silver cutlery on primed paper; gelatin silver print<\/span><\/p>\n